Goatman

http://seattletimes.nwsource.com/html/nationworld/2018752842_goatman23.html

Lean

http://pauloctavious.com/leanwithit/

Levitation

http://yowayowacamera.com/

Kaizers Orchestra - Kontroll på kontinentet

Cardini

Ilya Kabakov

Fig. 8] Ilya Kabakov. (1968-1988) The
Man Who Flew Into Space From His
Apartment [Moscow private apartment
and Robert Feldman Gallery New York].
Photo: Centre Georges Pompidou,
Musée d´ Art Moderne, Paris

Roll

http://rrrrrrrroll.tumblr.com/

Sam Phillips - Broken Circle

Wunderkammer no. 10

Ephemera no. 12

Watermelon Defense

For your summer defense against the melon lesson I give you Ricky Jay...

Wunderkammer no. 9

Diminishing Cards

Drawing no. 6

Punch of Love

My friend Jay Gonzalez video for the title track off his great new record.

Wunderkammer no. 8

Ephemera no. 11

Drawing no. 5

Wunderkammer no. 7

Herzog's School

The Rogue Film School is not for the faint-hearted; it is for those who have travelled on foot, who have worked as a bouncer in a sex club or as wardens in a lunatic asylum, for those who are willing to learn about lockpicking or forging shooting permits in countries not favoring their projects. In short: for those who have a sense for poetry. For those who can tell a story to four year old children and hold their attention. For those who have a fire burning within.

For those who have a dream.http://www.roguefilmschool.com/default.asp 

 

Ephemera no. 10

Note no. 8

Chiharu Shiota

http://www.chiharu-shiota.com/

Christian Boltanski

© Christian Boltanski
Théâtre d'ombres, 1987

Steve Martin is "The Great Flydini"

Steve Martin at Disneyland

When he was a teenager, Steve Martin worked at Merlin's Magic Shop in Fantasyland. Here, comedian Steve Martin performs his "amazing illusions" in 1992 on Johnny Carson's Tonight Show. I would highly recommend his book "Born Standing Up" for any performer.

Steve Martin is "The Great Flydini" 


copped from http://www.deceptology.com/

Note no. 7

Ephemera no. 9

Wunderkammer no. 6

Tracey Emin

thebodyasconduit:

In 1996, Tracey Emin lived in a locked room in a gallery for fourteen days, with nothing but a lot of empty canvases and art materials, in an attempt to reconcile herself with paintings. Viewed through a series of wide-angle lenses embedded in the walls, Emin could be watched, stark naked, shaking off her painting demons. Starting by making images like the artists she really admired (i.e. Egon Schiele, Edvard Munch, Yves Klein), Emin’s two-week art-therapy session resulted in a massive outpouring of autobiographical images, and the discovery of a style all her own. The room was extracted in its entirety, and now exists as an installation work.


copped from http://www.theslowlearner.com/

Note no. 7

Wunderkammer no. 5